LFO: Yes

An LFO, or low frequency oscillator, brings electronic sound to life. It adds movement and interest to synthetic sounds and effects, playing an important role in both subtle synthesis and bold sound design. However, you won't hear the LFO itself because it acts as a modulator. This means that it does not directly affect the audio signal, but adjusts other parameters such as oscillator pitch and filter clipping.

Envelope: ADSR

The ADSR (Attack, Decay, Sustain, Release) type envelope filter gives you precise control over the dynamics and shape of your sound. The ADSR components are detailed as follows: Attack: Specifies how quickly the sound reaches its maximum volume upon activation. Decay: Specifies the time it takes for the volume to drop from maximum to sustain. Sustain: Represents a stable volume level that is maintained as long as the sound is active. Release: Specifies how quickly the volume fades to zero after the sound has been released.

Oscillators: Yes

A powerful oscillator system allows users to create rich and variable sound textures. Oscillators can generate a variety of waveforms, including sine, square, triangle, and noise, allowing for creativity and experimentation.

Pitch Bend: Yes

The Pitch Bend allows smooth pitch changes, adding expressiveness to musical expression. Often used to create effects such as glissando or vibrato, this feature allows the player to make subtle or dramatic changes to the sound in real time. Pitch bend allows musicians to create smooth transitions between notes, increasing the dynamics and expressiveness of their performances.

Modulation: Yes

Modulation allows you to change different aspects of the sound in real time, opening up a wide range of creative possibilities. For example, it can affect the pitch of the sound, creating a vibrato effect, or it can change the amplitude of the signal, creating a tremolo effect. It can also adjust filtering to create smooth transitions between frequency bands and dynamic textures. Modulation can also be used to change the character of the sound depending on the time or intensity of playing, giving the sound a lively and moving character.

Arpeggiator: Yes

The Arpeggiator transforms chords into sequences of individual notes played in various rhythmic and melodic patterns. Instead of playing the chords as a harmonic whole, the Arpeggiator breaks the chords into individual notes and plays them sequentially according to the selected algorithm.

Headphone Output: Yes

The headphone output allows direct connection of headphones for private listening. This output provides a convenient way to enjoy the sound without disturbing others or ambient noise.

Inputs

• Sustain Pedal
• Jack 3,5 mm
• Jack 6,3 mm
• MIDI IN

Outputs

• MIDI Thru
• MIDI OUT
• Headphone Jack 6,3 mm TRS
• Jack 6,3 mm TRS
• Jack 3,5 mm

Pedal Inputs: Yes

The pedal input allows you to connect an external pedal that expands the instrument's control capabilities and contributes to a richer musical expression, increasing flexibility and expressiveness when playing and creating music.

MIDI Interface: Yes

It supports MIDI, allowing you to connect and communicate with other MIDI-compatible devices. This feature extends control and integration into the larger music environment, increasing flexibility and creativity in music creation.

Package Contents

• Gooseneck Microphone
• Microphone Stand
• Adapter
• USB-A to USB-B Cable
• Registration Card
• Manual