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Warm Audio JUDE-MP Microphone Preamp

Product code: 1327863

New
Warm Audio JUDE-MP Microphone Preamp

Product code: 1327863

€799
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Microphone Preamp Warm Audio JUDE-MP Microphone Preamp

Warm Audio JUDE-MP Microphone Preamp

€799
This single-channel, dual-discrete console microphone preamp recreates the legendary Sound Techniques "A-Range" circuit originally designed by Geoff Frost for London's most influential studios of the 1960s and 70s. Built in partnership between Sound Techniques and Warm Audio, the tabletop unit preserves the exact signal path heard on classic…
  • Number of Channels: 1
  • Frequency Range: 10 Hz - 25 kHz
  • Impedance: 10 kOhm, 1500 Ohm, 200 Ohm, 60 Ohm
  • Phantom Power: Yes
  • Inputs: Balanced Jack 6,3 mm TRS, Balanced XLR, Jack 6,3 mm TS
  • Outputs: Balanced Jack 6,3 mm TRS, Balanced XLR

Warm Audio JUDE-MP Microphone Preamp

This single-channel, dual-discrete console microphone preamp recreates the legendary Sound Techniques "A-Range" circuit originally designed by Geoff Frost for London's most influential studios of the 1960s and 70s. Built in partnership between Sound Techniques and Warm Audio, the tabletop unit preserves the exact signal path heard on classic recordings by The Beatles, David Bowie, Elton John, and Queen. An exclusive 9-position Z-Match impedance control lets engineers shape gain, transient response, and harmonic character with virtually any microphone.

  • Hand-wired dual-discrete 3035 Class-A amplification with custom CineMag USA input and output transformers
  • Variable mic input impedance across 60Ω, 200Ω, 1.5KΩ, and 10KΩ positions for tonal shaping
  • 65–76 dB of preamp gain with -128 dBu EIN and -99 dBu self-noise for ultra-clean capture
  • 10 Hz–25 kHz frequency response, 0.008% THD

JUDE-MP Microphone Preamp — Authentic Sound Techniques A-Range Circuit

The JUDE-MP is a single-channel, dual-discrete console microphone preamp and a one-for-one recreation of the original Sound Techniques "A-Range" console circuit designed by Geoff Frost. Built in partnership between Sound Techniques and Warm Audio, this tabletop unit preserves the hand-wired signal path that defined legendary recordings at De Lane Lea Studios, Trident Studios, and Sunset Sound. Dual-discrete 3035 Class-A amplification and custom CineMag USA transformers deliver the depth heard on classic tracks by The Beatles, David Bowie, Elton John, and Queen.

What Sets This Preamp Apart

The exclusive 9-position Z-Match impedance control optimizes the relationship between microphone and preamp with nine distinct tonal interactions. Unlike a simple tone switch, the input transformers physically change characteristics depending on the Z-Match position, shaping gain, transient response, and harmonic character across ribbon, condenser, and dynamic microphones.

Signal Path & Amplification — Class-A Discrete Design

The signal path mirrors the original Sound Techniques console topology with hand-wired construction.

  • Amplifier Topology: Dual-discrete 3035 Class-A — original Sound Techniques circuit for vintage harmonic character
  • Input Transformers: Custom CineMag USA, 3-impedance — physically rewire impedance per Z-Match setting
  • Hand-wired construction with Wima and Nichicon audio-grade capacitors and carbon resistors

Impedance & Gain Control — Z-Match Tone Shaping

The Z-Match control matches microphone impedance to the preamp for optimal gain staging across any source.

  • Mic Input Impedance: 60Ω / 200Ω / 1.5KΩ / 10KΩ — four positions for ribbon, condenser, dynamic, and line-level sources
  • Preamp Gain: 65–76 dB (40Ω source impedance) — ample headroom for low-output ribbon and vintage dynamics
  • Equivalent Input Noise: -128 dBu (A-weighted)

Performance & Connectivity — Studio-Ready I/O

Every connection and performance figure integrates cleanly into modern studio workflows while preserving vintage circuit behavior.

  • Frequency Response: 10 Hz – 25 kHz (±2 dB) — extended bandwidth captures full harmonic content of any source
  • THD: 0.008% / Self-Noise: -99 dBu (A-weighted)
  • Inputs: XLR Mic, TS/TRS 1/4" Line/DI / Outputs: XLR and 1/4" TRS line-level — flexible routing for tracking, re-amping, and stem processing
Number of Channels

Number of Channels: 1

This product offers a single channel, making it easy to connect and manage a single audio source. Ideal for simple recording or playback where minimal configuration is required.

Phantom Power

Phantom Power: Yes

Phantom power provides the necessary voltage for condenser microphones that require an external power source to operate properly. This power supply is built directly into the microphone input, eliminating the need for additional power supplies.

Controls

Controls

  • Impedance
  • Gain
  • Phantom
  • On/Off
  • Polarity

Gain: 76 dB

The device features a gain with a maximum value of 76 dB, which increases the intensity of the input signal. It is crucial for optimizing the volume and sound quality needed for recording, live performances, or further sound processing, while maintaining its clarity and detail.

Inputs

  • Jack 6,3 mm TS
  • Balanced Jack 6,3 mm TRS
  • Balanced XLR

Outputs

  • Balanced Jack 6,3 mm TRS
  • Balanced XLR

Suitability

Application

Studio, Recording

Features

Number of Channels

1

Number of Preamps

1

Phantom Power

Yes

Controls

Gain, Phantom, Polarity, Impedance, On/Off

ADAT

No

Word Clock

No

Properties

Rackmountable

No

Frequency Range

10 Hz - 25 kHz

Gain

76 dB

AES/EBU

No

Inputs and Outputs

Inputs

Balanced Jack 6,3 mm TRS, Balanced XLR, Jack 6,3 mm TS

Microphone Input

1

Instrument Inputs

1

Outputs

Balanced XLR, Balanced Jack 6,3 mm TRS

Effects

Compressor

No

Package

Package Contents

Power Cable

Power supply

Battery Operation

No

Power Supply

IEC

Accessory

UK/EU Power supply included

No

Dimensions and Weight

Length (mm)

132

Height (mm)

142

Depth (mm)

345

Weight

2,95 kg

Country

Made in

China

Documents

Instructions for use
Safety instructions

Please refer to the user manual for the specific safety instructions for this product.