Austrian Audio OC-B6 Microphone for bass drum
Brand: Austrian Audio
Product code: 1258200 (OC-B6)
Austrian Audio OC-B6 Microphone for bass drum
Brand: Austrian Audio
Product code: 1258200 (OC-B6)
- Application: Drums, Stage, Studio
- Polar Pattern: Cardioid
- Frequency Range: 18 Hz - 20 kHz
- Impedance: 108 Ohm
- Sound Pressure Level (SPL): 170 dB
Austrian Audio OC-B6 Microphone for bass drum
The Austrian Audio OC-B6 is a large-diaphragm condenser microphone created for bass drum capture, offering studio-grade clarity and extreme SPL handling. Precision-built in Vienna, it stands up to punishing sound pressure while maintaining the pure, uncolored tone of your kick drum.
- Handles up to 170 dB SPL for distortion-free recording of even the loudest bass drums.
- Enjoy a natural, detailed sound thanks to the 1” CKR6-B condenser capsule and open acoustic design.
- Placement is easy in any setup due to the 220° swivel head and compact chassis.
- The integrated 25 Hz subsonic filter prevents unwanted rumble from entering your mix.
Austrian Audio OC-B6: Pure Power for Bass Drum Recording
The Austrian Audio OC-B6 brings large-diaphragm condenser technology to kick drum miking, setting a new standard for clarity and headroom. Purpose-built for bass drum, this model captures every nuance from vintage warmth to modern attack, without pre-EQ or coloration. The OC-B6 stands out as a studio and stage solution that thrives on punishing SPL, while remaining compact and easy to position. A condenser microphone designed for challenging environments, it goes where others can't.
Breakthrough Features for Modern Drummers
Unlike most kick drum microphones, the OC-B6 features the unique CKR6-B capsule—a 1" ceramic-based large-diaphragm element custom-tuned for extreme SPL. Its 220° swivel head and robust, clip-free design allow for precise placement, even inside cramped shells or at the port. Reliability and flexibility are at the forefront of the design, making it a true asset for stage or studio use.
Designed for Unmatched SPL and Clarity
Recording bass drums at high volume requires a microphone that withstands extreme sound pressure without breaking up. Engineers benefit from the OC-B6's ability to be placed anywhere, free from concerns about distortion.
- Capsule Type:Condenser — delivers detailed transient response and full-bodied lows.
- Engineers can record even the most aggressive playing without distortion, thanks to the 170 dB maximum SPL.
- Frequency Range:18 Hz – 20 kHz — ensures all low-end energy is faithfully captured, right down to the sub-bass.
Intelligent Filtering and Signal Integrity
Low-frequency management is essential for modern drum miking. The OC-B6’s integrated 25 Hz subsonic filter eliminates inaudible rumble and infrasound, preserving headroom and preventing muddy mixes. This keeps the recording clean and focused even in loud live environments.
- Subsonic Filter:25 Hz — removes unwanted low-end rumble for a punchier, clearer kick sound.
- Impedance:108 Ohm — optimized for compatibility with modern audio interfaces and consoles.
Precision Engineering, Inside and Out
Inside, a discrete, chip-free electronic design ensures rapid transient response and uncompromised fidelity. The cardioid polar pattern targets the kick drum while reducing stage bleed. Durability is ensured for both touring and studio applications.
- Characteristics, Polar Pattern:Cardioid — isolates the kick drum and limits unwanted noise.
- This model is handcrafted in Vienna, guaranteeing precision and reliability.
Who Is the OC-B6 For?
Engineers and drummers needing clarity and impact in their kick drum tracks will find the OC-B6 a powerful tool. Designed for professionals in live and studio settings, this microphone allows total freedom in mic placement and excels across all genres.
Capsule Type: Condenser
A condenser microphone is a type of microphone that uses a capacitor to pick up sound. Unlike dynamic microphones, condenser microphones require an external power supply to operate properly. This type of microphone is more sensitive to detail because its diaphragm is sensitive to very fine sound waves, making it ideal for studio recording.
Polar Pattern: Cardioid
The cardioid directional microphone is designed to be most sensitive to sounds coming directly from the front and less sensitive to sounds coming from the sides and back. This directional pattern resembles the shape of a heart (hence the name "cardioid") and is ideal for situations where it is necessary to focus on a single sound source and minimize ambient noise.
Frequency Range: 18 Hz - 20 kHz
The frequency response 18 Hz - 20 kHz provides a wide enough range to capture all the fine musical and sonic details.
Impedance: 108 Ohm
This value indicates the electrical resistance of the device to an alternating current. Common in microphones and musical equipment, 108 Ohm helps determine compatibility with preamps, mixers, and other audio gear.
Sound Pressure Level (SPL): 170 dB
High SPL levels up to 170 dB allow you to experience the sound as it was originally intended, with sufficient volume and dynamics.
Sound Pressure Level (SPL)
Package Contents
Soft Case, Manual
Offer Configuration
Standard offer
Battery Operation
No
Power Supply
48V Phantom
Incl. Gig bag/Case
Weight
Made in
Austria
Documents
Instructions for use
Manufacturer information
Safety instructions
Please refer to the user manual for the specific safety instructions for this product.