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JZ Microphones Vintage 11 Studio Condenser Microphone

Product code: 1312134

New
JZ Microphones Vintage 11 Studio Condenser Microphone

Product code: 1312134

€506
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Studio Condenser Microphone JZ Microphones Vintage 11 Studio Condenser Microphone

JZ Microphones Vintage 11 Studio Condenser Microphone

€506
The JZ Microphones Vintage 11 is a large-diaphragm cardioid condenser microphone engineered for warm yet transparent recordings on vocals, acoustic instruments, and overhead work. Built around the proprietary Golden Drop™ capsule and a hand-selected Class A discrete amplifier circuit, it pairs vintage-style sonic character with exceptionally low…
  • Polar Pattern: Cardioid
  • Frequency Range: 20 Hz - 20 kHz
  • Impedance: 50 Ohm
  • Sound Pressure Level (SPL): 134 dB
  • Sensitivity: 22 mV/Pa

JZ Microphones Vintage 11 Studio Condenser Microphone

The JZ Microphones Vintage 11 is a large-diaphragm cardioid condenser microphone engineered for warm yet transparent recordings on vocals, acoustic instruments, and overhead work. Built around the proprietary Golden Drop™ capsule and a hand-selected Class A discrete amplifier circuit, it pairs vintage-style sonic character with exceptionally low self-noise. The flat, wide basket design minimises reflections, while the included shock-mount isolates the capsule from unwanted vibrations. Handcrafted in Latvia and backed by a five-year warranty, the V11 brings high-end studio character into a more accessible price bracket.

  • Large-diaphragm cardioid condenser with 27 mm active diaphragm
  • Golden Drop™ capsule technology evolved from the GDC67 design, using a gold sputtering technique on a six-micron edge-terminated diaphragm
  • Class A discrete amplifier circuit with 6.5 dB-A self-noise and 128 dB dynamic range
  • Handcrafted aluminium and brass-mesh body weighing 590 g, with 3-pin XLR output and +48V phantom power

JZ Microphones Vintage 11 — Warm, Natural Studio Character

The JZ Microphones Vintage 11 is a large-diaphragm cardioid condenser microphone engineered in Latvia to deliver well-balanced, super-rich sound for warm yet transparent recordings. The number 11 marks the year 2011, when designer Juris Zarins first created the model as an original design rather than a recreation of a classic. Inside the flat, wide basket sits a 27 mm dual-backplate electrostatic capsule built on the company's proprietary Golden Drop™ sputtering technique, producing a lighter diaphragm that moves faster and reduces coloration. The result is a microphone that captures vocals, acoustic guitar, and grand piano with vintage-style warmth while keeping the upper mids smooth and non-fatiguing.

Golden Drop™ Capsule and Class A Discrete Electronics

What sets this microphone apart from other large-diaphragm condensers in its segment is the combination of the Golden Drop™ capsule and a transformerless Class A discrete amplifier circuit. The capsule evolved from JZ's GDC67 design and uses a gold sputtering process on a six-micron edge-terminated diaphragm. The wide, flat basket has only one vertical support, placed in the cardioid capsule's rear dead zone, so reflections from the grille have a negligible effect on the sound. Gold-plated pins on the 3-pin XLR output connector minimise corrosion, and the included stand mount isolates the body via rubber buffers.

Capsule and Amplifier Design — The Heart of the Sound

The capsule and amplifier design determine whether a condenser microphone sounds vintage or modern, and the Vintage 11 leans firmly into the warm, natural camp.

  • Transducer Type: Electrostatic — pressure-gradient operating principle
  • Active Diaphragm Diameter: 27 mm — large enough for full-bodied vocal and instrument capture
  • Polar Pattern: Cardioid — focused front pickup with rear rejection for solo sources
  • Sensitivity: 22 mV/Pa at 1 kHz — strong output that responds well to EQ

Noise Floor and Headroom — Quiet Enough for Whisper Vocals

Self-noise is where the Vintage 11 punches above its price bracket, and the 6.5 dB-A figure puts it in the same league as microphones costing several times more.

  • Self-Noise: 6.5 dB-A — exceptionally quiet for soft vocals and acoustic instruments
  • Maximum SPL: 134 dB at 0.5% THD — handles loud sources like kick drums and guitar cabs
  • Dynamic Range: 128 dB — wide headroom from whisper-quiet to full-volume performance, enough for delicate fingerpicked guitar and full-volume vocal belting in the same session
  • Signal-to-Noise Ratio: 87.5 dB-A — clean signal path for tracking and overdubs

Build Quality and Connectivity — Handcrafted in Latvia

Handcrafted in Latvia using carefully selected electronic components, the body combines aluminium and plastic with a two-layer brass-mesh grille.

  • Weight: 590 g — substantial feel that inspires confidence on a stand or boom arm
  • Dimensions: 185 × 71 × 30 mm — flat profile that fits standard shock mounts and reduces visual footprint on camera
  • Output Impedance: 50 Ω with recommended load above 1000 Ω
  • Power Requirement: +48 V DC phantom power at 2 mA current draw
  • Output Connector: 3-pin XLR male with gold-plated pins to resist corrosion over years of studio use

Who Should Choose the Vintage 11

The V11 is the right choice for project-studio engineers, vocalists, and voice-over artists who want vintage-style warmth without paying vintage-style prices. Its pronounced low-end lift and smooth upper-mids make it well-suited to male vocals, spoken-word work, acoustic guitar, and grand piano, while the cardioid pattern keeps room noise out of the recording. The lack of on-mic pad or low-cut switches means it works best in a treated room or with a pop filter, and the wide, flat basket design suits podcasters and YouTube creators who want a distinctive look on camera. Engineers building a versatile mic locker will find it pairs naturally with brighter condensers on the same source.

JZ Microphones — Handcrafted in Latvia

JZ Microphones is a Latvian company founded by designer Juris Zarins, whose Vintage Series is handcrafted and tested in Europe by a team of highly qualified experts. The V11 was created in 2011 as an original design rather than a recreation of a classic, and the number 11 marks that founding year. The microphone has been endorsed by Grammy-winning producers including Thom Russo and Rafa Sardina, who have used the Vintage Series on sessions for artists such as Lady Gaga.

Polar Pattern

Polar Pattern: Cardioid

The cardioid directional microphone is designed to be most sensitive to sounds coming directly from the front and less sensitive to sounds coming from the sides and back. This directional pattern resembles the shape of a heart (hence the name "cardioid") and is ideal for situations where it is necessary to focus on a single sound source and minimize ambient noise.

Frequency Range

Frequency Range: 20 Hz - 20 kHz

The frequency response 20 Hz - 20 kHz provides a wide enough range to capture all the fine musical and sonic details.

Suitability

Тype

Condenser

Features

Polar Pattern

Cardioid

Interface

XLR

Switch

No

Phantom Power

Yes

Pads

No

Properties

Capsule Type

Pressure gradient

Frequency Range

20 Hz - 20 kHz

Impedance

50 Ohm

Recommended load resistance

>1 kOhm

Inputs and Outputs

USB

No

MP3 / Line In

No

Outputs

3-pin XLR Male

Headphone Output

No

Acoustics

Sound Pressure Level (SPL)

134 dB

Sensitivity

22 mV/Pa

Effects

Filter

No

Power supply

Battery Operation

No

Voltage

48 V

Power Supply

48V Phantom

Accessory

Incl. Gig bag/Case

None

UK/EU Power supply included

No

Dimensions and Weight

Width (mm)

71

Length (mm)

185

Depth (mm)

30

Weight

590 g

Country

Made in

Latvia

Documents

Instructions for use
Safety instructions

Please refer to the user manual for the specific safety instructions for this product.